Sony PXW FS7 II K

  1. We are thrilled by the interaction of the kit version with the SELP18110G optics and their imaging quality in relation to the performance offered.
  2. The picture quality is ebenburtig except for a slightly reduced Rauschneigung of the predecessor.
  3. Such a perspective is indeed a picture section that has something to do with the setting variables, but primarily describes the line of sight on the actor or on the subject.
  4. On the one hand, the recording technique can prescribe the respective perspective in the scene.
  5. The creative functions are pro-like accessible directly via buttons, external microphones can be connected as an option.
  6. Operation comes from consumer devices and is therefore quite easy to understand.
  7. At 4k / QFHd, the GY-HmQ10 4k offers three frame rates, all in progressive scan.
  8. Photosensitive, the GY-HmQ10 is not necessarily, but the image converter is then too small.
  9. For Canon, which operates in the spring of 2012, only a simple model care, 50p is obviously not (yet) an issue.
  10. Even with fast paced action, the small Canon is almost always properly focused.
  11. You can even see the rotating propshaft and then immediately a razor sharp landscape.
  12. Picture quality With measured 653 T VL / BH, the HDC-SDX1 fits into the entry-level class, but shines with a small, if too wide sharpening.
  13. Appraised on the monitor, the pictures are not quite as coherent as on the stand-alone display, in particular black could be richer here.

Sony PXW FS7 II K

Sony PXW FS7 II K

Sony PXW FS7 II K

Sony PXW FS7 II K


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